canon c300 mark ii audio setup

But how well does it actually function as, a camera? [¡ Audio Setup] > [Audio Input] > [MIC Att.] I’m a bit of a pessimist with kit, I always expect more from it, whether it’s a tripod, monitor, camera etc.I therefore wasn’t surprised that I spent most of the two days that I was shooting with the C300 Mark II complaining about a lack of this & that, the placement of that button, the hard to find feature buried in the menu etc. I won’t get too hung up on this as the batteries have doubled in voltage to 14.4V and the unit charges two simulteanously, but the size a consideration for travelling shooters. The camera features 4-channel linear PCM audio recording and playback. No biggie, maybe Panasonic and SmallHD spoilt us (you can move it on the 502, too). Canon C300 Mark II Cinema EOS Camcorder with Dual Pixel CMOS AF (EF Lens Mount) features Super 35mm CMOS Sensor, 4K,1920x1080 60/50i, 23.98/25p True 24p. The advantage of this over just selecting an appropriate picture profile is that you can still record log to the internal cards/external recorder as a backup should you require extra post processing for incorrectly exposed/white balance images, or if you wanted to revisit a project when you have more time and apply a more dynamic grade. Select your support content. Canon MA-400 XLR Accessory on C300 Mark II As a C300 Mark II user, if you opt for the LM-V1, you are faced with an audio decision. That said, I spent the little time I had spare with the cameras productively inspecting every aspect of the menu system and button layout, as if it were my own. © 2021 All rights reserved. You can drop your ISO lower or … I’m sure Canon will argue this is the correct implementation of Look Up Tables. The Canon C300 Mark II has two SDI outputs, one HDMI port and one proprietary video connection for the monitor module. Waveform Monitor Cannot Be Re-Positioned. Cinematography Solutions Professional Cinema Cameras EOS C300 Mark II. The Canon EOS C100 Mark II Cinema EOS Camera with Dual Pixel CMOS AF is Canon's updated version of the C100 designed for event videographers, documentarians, and independent filmmakers. Alex Stone was one of the first to receive his Canon C500 Mark II and upon release, the EU-V2 was on backorder with no other V-mount plate available so he decided to build his own custom solution. Here is the download link for all related TIFF files: I’d like to do some more testing on the C300 Mark II particularly in terms of the image. An overlooked feature in many existing cameras and monitors is the ability to monitor what you are recording, not viewing.When you are shooting LOG, but viewing a LUT you’ll know by the color shift of the menu and a little overlay on the screen (not to mention the fact that the contrast and colour of your image will change) but the most important aspect of this workflow is that your Waveform Monitor adheres to the recorded log, not the viewed LUT. I find it a little frustrating to find the HDMI and two SDI ports are not simply three independent outputs; one SDI is labeled Rec Out, the other Monitor Out. Dual Pixel AF doesn’t work in Slowmo Mode. Both cameras are under 10 pounds but their shapes are very different. There are 4 LUTs installed on the camera: BT.709, BT.2020, DCI and ACESproxy10. But navigating further down and you’ll find a custom button for your own aspect ratio. Like many, the Sony FS7 and the Canon C300 Mark II are close to the top of my list. AUDIO terminal Canon’s proprietary specifications (special 13-pin jack) Component out. Canon has announced the new Canon EOS C300 Mark II Touch Auto Focus Kit!. Activating it gives you a little square on screen that signifies the area in which the system is monitoring for focus. KEEP YOUR ISO AT 850. Post was import for all stills was into Premiere Pro CC, export to TIFF then convert to 100% JPEG in Lightroom. The smaller  BP-A30 battery also fits the profile of the camera body so won’t protrude like the above BP-A60. Standard Shooting Mode (200mm focal length): Slow motion Mode (x2 crop of 200mm focal length): And here’s Standard Shooting Mode at 100mm to compare the two for sharpness: And at 400%, slow motion mode (100mm at x2 crop): It’s a very brief and unscientific test (100 & 200mm focal lengths on a zoom lens will have discrepancies) but I want to roughly see how close/far out they were. So, that will make it just a tad longer and wider than the C200. The C300 MKII records with a new format called XF-AVC. If you use only the LM-V1 on the C300 Mark II, you are restricted to camera’s 3.5mm audio jack. Here’s a shot from my shoot, key at your hearts content (TIFF download at bottom of page). We know Canon has a good track record for color rendition, great single operator ergonomics and have all heard about that revolutionary new auto focus system. They’re more than just a profile to display a correct image. You get a powerful cinema camera with an expanded dynamic range of 15 stops, 4K/2K/HD internal and external recording (including 4K RAW output), improved Dual Pixel CMOS Autofocus, and dual CFast card slots. I plugged it into my Atomos Shogun; on the latest firmware the C300 Mark II is listed in compatible raw cameras for the recorder. The large sensor, and image quality offered by the original C300 was unparalleled by the whole camera industry at the time, and the C300 III continues on with that excellent legacy. Ahead of IBC 2019, Canon has officially announced the long-awaited second-generation C500 Mark II cinema camera.At its heart is the same full-frame image sensor as that of the larger C700 only a lot lighter, weighing in at just 3.8 lbs. The Canon C300 Mark II Touch Focus Kit is priced at only $9,999! The heart of any Canon camera is its superb image-sensor technology. With this said, I didn’t have much time to spend testing the image side of things for the public eye. I found it too rich in contrast and aliased fine detail very quickly, therefore unfit for recording. Canon Z-Finder with Rosette Mount - The Canon C500 Mark II & C300 Mark III Z-Finder is an optical viewfinder, specifically designed to attach to the Canon LM-V2 4.3" LCD Monitor compatible with the Canon C500 Mark II and Canon C300 Mark III.This Z-Finder will magnify the LCD screen by 1.8x and has a diopter wheel for specific focus tuning. There’s usually a work around with your monitors, especially if more than one of them can cross convert signals. For me operation is a huge factor when considering a camera, it’s one so many people over look and as a result there’s less online information about this sides of things with cameras (hence this article). Single audio source for both channels, independent channel control. On set I can often find myself referring to bigger/better monitors for the most part of operation (compared to camera screen), which can often be shared by an output recording and/or viewed by other crew members and/or the client. Why it doesn’t activate slow motion mode first is beyond me, and to top it off your Recording Mode doesn’t feature in the assignable buttons menu so you can’t set the shortcut it manually. I am planning to get a few C300 markiis and canon 17-120 servos to go with them. I’d heard about this a little in passing comments, but using it for 2 days on a shoot I can really see it’s worth. The Canon C300 Mark II is an excellent choice for any shoot or production that wants a top-notch 4K pipeline. OSD and LUT good to have in Assignable Buttons menu. It’s great for the above reasons plus puts your rushes in a ballpark as to where they should be for the grade, which is useful if handing over files to a different editor. A waveform monitor (WFM) takes up a lot of real estate on the screen, the inability of being able to move it on screen was a feature I felt was missing on the C100/C300 Mark I (it’s big and actually covers up the audio levels on the C100) and it was a shame to not find there was no change on the C300 Mark II. To download it, click the link below, copy and paste the link in your browser, or visit the Canon, USA web site at usa.canon.com for more details. I need a set up to constantly power the camera, lens, and a monitor that uses sony L batteries (probably an atomos flame). In 4K recording, the C300 Mark II can only output 30fps. However when active it sends a letterboxed image to SDI 1 (Monitor Out) and HDMI even when OSDs are turned off; a problem if you want to record via the HDMI and use this mode. Canon's flagship cinema camera is full-frame, and expandable with optional extension modules.. 5. C300 Mark II boasts a CMOS sensor that combines both imaging and phase difference AF for class leading performance. That’s the same price as the traditional C300 Mark II. And here’s a very quick test looking at the crop factor of the slow motion mode. It’s a shame I have to talk about this sort of feature as a reason I like a specific camera, I feel every camera should have every feasible feature accessible via assignable buttons as it completely personalizes the user experience. The EOS C300 Mark II Digital Cinema Camera takes the agility of the original EOS C300 and dials it up a notch. The BK-C300ii is a streamlined, comfortable camera backpack solution for your Canon C300 Mark II camera setup. When the focus is on point the box will go green. It’s for great green screen and one that I’ll probably use more myself than 4K 60p, although I still think it’s a huge oversight to exclude higher 4K framerates and would like both features in my camera, please. I can see exactly what they’ve done here, they’ve included relevant LUTs to correctly display gamma on various different monitors, both current and future. Lets start this off by first saying this is not an official review. Canon Service Tool for Projectors Canon Service Tool for Projectors Canon Service Tool for Projectors. Not on the C300 Mark II, you have to go into the menu and change the recording mode to slow motion. Here’s the charge next to the popular LP-E6 battery charger for Canon DSLRs. Like previous EOS cameras you have the ability to choose what Channel 2 records (it’s own channel or a clone of channel 1). Perimeter Viewing Mode Impacts Other Outputs. You have your standard grid lines, centre crosshair and aspect ratios. EOS C100 Mark II / CG-940 / CA-940N* or CA-941 identification plate is located on the bottom. Video Size Many complained that the mark I EOS cameras (both C100 and C300) didn’t display the waveform monitor on outputs (SDI, HDMI and even the inbuilt EVF) but you can now choose which output you wish to view WFM on (and which you don’t) and this translates to all assisting display features; WFM, peaking, Zebras etc. It indeed accepted a 4K raw feed just fine, below is a JPEG of a frame grab taken from the ProRes HQ recording of the Shogun. This was of the reasons I got these cameras in for the job I did and is a features that has been skipped over a little since announcement. 3. I guess this is down to the additional processing involved when sampling more frames and processing AF information. Once that is set up, use the S&F button on the side of the camera to dial in your shooting frame rate. Page 1 PUB. This is perhaps something you could have predicted ahead of working it out for yourself, but just so you know Dual Pixel Autofocus does not work in slow motion mode. Custom Options For Peaking/WFM/Zebra Outputs. Find out why the Canon EOS C300 Mark II was so popular at the 2021 festival, and what lenses the filmmakers used with it. Recording Audio Activating the Microphone’s Attenuator [¡ Audio Setup] If the audio level is too high and the sound sounds distorted, activate the microphone attenuator (20 dB). This means if you want OSDs on SDI 1 (or Monitor Out) they’re on the HDMI feed also. Canon's Log 3 Gamma supports 14 stops of dynamic range. WFM displays log exposure whilst displaying LUT. The Sony FS7 annoyingly is similar in grouping outputs. Perimeter View mode is a lovely feature on the C300 Mark II that shifts all-important overlays to the edge of your screen. Details of … EOS DIGITAL CAMERA LIMITED WARRANTY For The U.S.A. And Canada Only. Canon EOS C300 Mark II Camera Specs. There’s a lot of information starting to circulate on the Canon C300 Mark II as it finds its way into the hands of owners. This means that only the Rec Out SDI can display OSDs (on screen displays) to which the HDMI port is paired with. It would be great to hear some alternative views on what is becoming a very talked about camera. JPEG frame of 12bit 4444 image from C300 Mark II. Released, Blackmagic ATEM Mini Extreme and Web Presenter HD Announced, Blackmagic Pocket Cinema Camera 6K Pro with Built-in NDs & Tiltable Screen, Optional EVF Announced, Wooden Camera Canon EOS C70 Accessory Kits Launched, Tilta BMPCC 4K/6K Display Modification Kit, Volta Cinema Top Handle Review - Elegant Way to Power Accessories, Aputure 60d and 60x Review – Compact & Focusable LED Fixtures. 4. Both can easily be setup for studio-style shootin… After watching this in-depth primer course you will have a thorough understanding of the camera’s core features and be in a position to maximise your results when on set. Both the Arri Amira and Sony FS7 support custom load LUTs and provide a decent stock LUT pre-loaded on the camera. Page 2: Important Usage Instructions • Do not expose batteries or product to excessive heat such as the inside of a car under direct sunlight, fire, etc. The closet you can get is placing Recording Mode at the top of your My Menu (a custom menu that allows you to add pretty much any feature to it), and assigning My Menu to one of the custom function buttons. submenu. What’s great about this is the fact that when activated you can tell which way you need to turn the lens barrel to hit focus (markers sit above or below the box depending of fore/aft focus correction). This means you can switch on/off your LUT with the press of button of your choice; I also found the inclusion of OSD (on screen displays) very handy in this list. I found this really helpful when in an interview environment and wanting to re-adjust focus, hunting would ruin the shot but with this feature you know exactly which way to adjust. I spent a few days with two Canon C300 Mark IIs; in this article I will share my findings from a working operators point of view. There has been an overall improvement in terms of onscreen displays. This provides faster and more accurate autofocusing to assist users when operating with small crews. I’d prefer a stand-alone menu that labels each of the 4 outputs independently (SDI 1 & 2, HDMI and camera monitor) and you simply select which ones are active, feature OSDs and LUTs. Unfortunately this was the only sized battery the hire company supplied. Here are the recording details and some specifications of the Canon C300 MII camera. Canon Hongkong announced the launch of the new EOS C300 Mark III professional interchangeable-lens 4K camera, a new product of the video production Cinema EOS System that realises a high dynamic range by adopting a newly developed Dual Gain Output (DGO) CMOS sensor and supports 4K/120p high frame rate recording. Buy Canon EOS C300 Mark III Digital Cinema Camera Body (EF Lens Mount) featuring Super 35mm Dual Gain Output (DGO) Sensor, 4K 120p, 2K Crop 180p HDR, Cinema RAW Light and XF-AVC H.264 Codec, EF Lens Mount, DIG!C DV7 Image Processor, Dual Pixel CMOS AF and Face Detection, LM-V2 4.3" LCD Touchscreen Monitor, 12G-SDI and 4-Channel Audio Recording, 2 x CFexpress Slots, Canon Log2 and … That doesn’t mean you can’t achieve off speed auto focus however. Another LUT/log related feature I like is the inclusion of LUT enable in the assignable buttons menu. Durable Construction • Made using abrasion-resistant 1000-denier, military-grade Cordura Nylon • Our material is treated with an extra layer of water-resistant coating Settings for all are C-log 2 ISO 800, f/2.8 on a 70-200 F/2.8 IS II. Then, confirm your base frame rate, or playback rate, under Recording>Media Setup>Frame Rate. But working out which monitor should go on what monitor/recorder is brainpower on set that I’d rather spend on something else. Unfortunately this is not the case for the C300 Mark II as with 90% of other cameras on the market; not all features are available on the assignable buttons menu. TIFF download at the bottom of the page. I’m sure a Pancake lens like the 24mm STM would result in a fuss free fit. OK, so lets give this feature a little more credit than a passing comment at the end of a paragraph. You can’t move it, only turn it off. Review Canon Professional Camcorders, Canon The EOS C300 Mark II Digital Cinema Camera is an evolutionary 2nd generation Cinema EOS 4K camera system with a wide range of new and improved features including 4K/2K/Full HD internal and external recording (including 4K RAW output) and a new 10-bit Canon Log 2 Gamma. The Canon C300 Mark II … I’d consider the option of extending the Movi cradle arms a little forward. I experimented with all of them, the BT.709 most of all. There are of course work arounds; use LUTs as they were originally intended and shoot with a single and correct picture profile to start with, and/or loop out of a monitor that supports custom LUTs. More Info. The Canon C500 Mark II is an exciting platform for filmmakers that combines a full-frame sensor with Canon's color science and Dual-Pixel autofocus system in an ultra-compact form-factor. Auto-suggest helps you quickly narrow down your search results by suggesting possible matches as you type. Scan from Canon multi-function devices to a mobile device, upload scans to cloud storage services, attach to and send emails, and print. First, their physical form factors. The user is more limited with regards to the proxy clip setting. The EOS C300 Mark II Digital Cinema Camera integrates an 8.85 Megapixel Super 35mm 16:9 CMOS sensor that supports 4K (DCI) recording with a maximum resolution of 4096 x 2160 pixels. As with many other cameras with high framerate options, audio is also disabled in slow motion mode. I’ve had one in for the last few days and wanted to share some fresh thoughts as a working operator. The protruding EVF of the C300 Mark II clips the back of the gimbal when tilting: Unfortunately unlike the C300 Mark I, the EVF is not quick release. Having the OSD on/off by one button is a really nice way to quickly check them on your output before hitting record; the same applies to switching between your LUT and your log. For both these reasons it is not possible to have your OSD on this output, so you often have to switch back to your inferior on-camera monitor to check settings before recording again. The audio options on the camera isn’t too surprising, 24-bit audio is nice and you can change all settings in the designated audio menu and most physically on the audio/monitor module. Back to top. I’ve gotten used to recording dual system on larger projects: log to internal cards and a LUT to an external recorder. You can record the Rec 709 LUT on the Amira and the LC (low contrast) Rec 709 LUT on the Sony FS7 and yield results that are good out of the box to look at and record to, with a little room for tweaking in post. So lets get started, and to kick things off I’ll start with what I liked about the C300 Mark II. It’s clear they are designed merely to correct the gamma curve for correct viewing. ISO 800, C log 2. In my opinion, you cannot do this with the in built LUTs on the C300 Mark II. This feature may have been on the C300 mark I, so forgive me if this is old news but as a C100 Mark I user I found this feature handy. In Conclusion. ... Simplify set-up, operation and maintenance of Canon projectors using wireless remote control from iOS devices. Experience accuracy at any speed Shoot one frame per second for slow motion video or 120 at 2K/HD for fast moving objects, always with superb precision and clarity. The listed payload for the Movi M5 is 5lbs, however it’s been documented in the past of being physically capable of more, capped by fewer components then you may think (it shares the same motors as the larger M10). I want to highlight the new Focus Guide feature. The LM-V1 is a screen only. You have to experience the camera first hand to discover the little gems hidden in the menus or work out how the software works for a given feature. For the complete EOS C300 Mark II instruction manual go to: Output options for peaking, same for zebras and WFM. Having only had two cameras with me for a few days (most of which was spent on the job/in transit) I haven’t spent anywhere near the amount of time it would take to cast a full review worthy opinion. It incorporates the continuous autofocus function compatible with all Canon autofocus lenses, using Dual Pixel CMOS AF technology. I’d say cine lenses are out of bounds for the M5 and C300 Mark II; the camera would sit too far back and it would likely enter nervy territory extending the arms of the Movi that far forward. The limited warranty set forth below is given by Canon U.S.A., Inc. (Canon U.S.A.) in the United States or Canon Canada Inc., (Canon Canada) in Canada with respect to the Canon brand EOS Digital Camera (the “Product”) *, when purchased and used in the United States or Canada. Here is an image below of the camera recording in Canon C Log 2, but viewing a BT. ... Simplify set-up, operation and maintenance of Canon projectors using wireless remote control from iOS devices. The problem lies in the physical size of the M5. The auto focus system is great, if you’re familiar with the old Dual Pixel AF you’ll appreciate it’s potential. The charger is a chunky slab and like the C300 Mark I there’s a separate AC adaptor unit. I need a set up to constantly power the camera, lens, and a monitor that uses … I hope you found my thoughts of some use, if you have any questions regarding the C300 Mark II please ask below and I’ll do my best to put my 4 day experience with the camera to some use.If you’ve already used the camera and have noticed any quirks or gems of your own, please share them.

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